The Millennial Actor: Parasite? Overly Coddled? Or the Norm?

Are a number of millennial actors the exemplification of dependent?

“The counts of the indictment are luxury, bad manners, contempt for authority, disrespect to elders, and a love for chatter in place of exercise…
Children began to be the tyrants, not the slaves, of their households. They no longer rose from their seats when an elder entered the room; they contradicted their parents, chattered before company, gobbled up the dainties at [the] table, and committed various offences against Hellenic tastes, such as crossing their legs. They tyrannised over the paidagogoi and schoolmasters.”
– Kenneth John Freeman, 1907 (Quote often incorrectly attributed to Socrates)

A farm silo outside of Flemington, New Jersey caught my attention during a weekend jaunt to New Hope. It’s atypical of the silos of my rural youth; a white cylinder capped by a metallic yarmelke. But under its brim sprouted modern fixtures. Emitters. Cellular antennas. A savvy additional form of revenue generation for farmers beyond the plethora of autumn haunted hayrides that prevent shrinking acreages from blooming more McMansions. And that got me thinking. If I had a silo, who would I contact to lease-out my grain storage’s exterior as a cell tower?

When I began teaching actors how to be better actors, become smarter business actors, and most importantly to independently manage their career I received many questions from students that possibly only I could answer. But often came questions from a percentage of millennial actors the answers of which I had previously provided during earlier lessons. Some millennials asked questions that a Baby-Boomer not associated with the arts could remedy themselves the correct answer.

During the first hour of the first class I inform actors of directories (both hard copy and apps) listing the contact information for entertainment’s gatekeepers. Directories that need to be refreshed with a purchase EVERY 6 months because rocketing rentals on real estate continually force gatekeepers to relocate. Talent agencies and casting offices are the denizens of our landlords’ Anatevkas. Millennial ActorWhen the industry panel evening arrives I place a reading order of the actors (for the actors) on the outer glass of the audition studio’s door. At the bottom of the order I include the contact information of each attending industry person. I’ve done this because I’ve grown exasperated by too many millennial actors who on the final night of a four-week class routinely demand I provide the street addresses of the panel members. Gatekeepers they’ve known for possibly two months they’re going to meet. Gatekeepers listed in those directories I instructed the same questioning actors re-fresh every 6 months. The older actors rarely ask.

Besides my routinely offering the 20-somethings answers prior to their asking the questions… there must be a modern invention to assist their querying minds. A brainchild wonder that existed primarily in fiction during my day of being an actor when typing a résumé involved a ribbon, White-Out, and a hardware store’s photocopier. Something… oh, I don’t know, some thinking contraption that would help them search and find the answers at their fingertips?

When home from my New Hope trip I was curious about that Flemington silo. If a silo owner and I wanted to generate additional revenue without hiring high school age “actors” to stalk my fields every October, where would I begin? I typed into Google’s search field: Cell phone tower leasing. Hundreds of answers populated my browser’s window. Eureka! If a farmer, I was suddenly rows ahead of my fellow dirt tillers and teat pullers.

Too many millennial actors I encounter seem mystified and/or unaware of the Internet’s technology that is synonymous with their generation. Questions bombard me near daily via email, social networks, and in person. Inquiries easily answered if the questioner utilized the Internet with minimal effort. No catching a train or bus to a library to paw fingertips through yellowing directories, or books published from when your grandfather’s swimmers were sprite with butterfly strokes. Today up-to-date information from around the globe is literally in the palm of our hands whenever needed from virtually anywhere we might likely be; even if that includes orbiting our planet. But a disturbingly high percentage of millennial actors ask others for answers before investigating the results independently. They’re virgins to self-accomplishment. How do these self-hobbling intellects of non-inquisitiveness order for delivery a vegan, gluten-free, non-GMO pizza?

I’ll spare you the millennial actors who register for and attend the four-week class—who are continually made
aware the names of the attending panel participants—but then ask minutes before the panel arrives, “Who are we meeting tonight?”

Beyond older peer perception of the youth that trails them not being industrious as the older generation; are millennials truly any more intellectually lackadaisical, or self-entitled than the perception of their preceding generations including my own? Look to the 1907 quote by Kenneth John Freeman as a potential answer. If that answer doesn’t satisfy…

…go Google yourself.

My best,
Paul

Casting Directors, Talent Agents, Directors & Actors

Love the Best-Selling Book for Actors
ACTING: Make It Your Business!

AMIYB_Amazon“Humorous and witty…
Actors everywhere who are trying to succeed in the business, young or old, on stage or on camera, anywhere in the world, take note:

This is your roadmap!”
BERNARD TELSEY, casting director – CSA
(NBC’s Peter Pan – LIVE!, Into The Woods – The Movie, Wicked, Sex & The City)
“All the right questions asked and answered…
and with a generous portion of good humor.”
SUZANNE RYAN, casting director, CSA
(Law & OrderUnforgettable)
“I love this book!
Paul’s book tells you what you don’t want to hear but really need to know
EVERY actor should read this book!”
DIANE RILEY, Senior Legit Talent Agent
Harden-Curtis & Associates
“Paul’s book made me proud to be a part of this community we call ‘show!'”
KAREN ZIEMBA, TONY & Drama Desk Award Winning Actress
“Paul Russell’s words are not only blunt & accurate they zero in on all the questions every actor wants to know but is afraid to ask!”
KEN MELAMED, Talent Agency Partner
Bret Adams, Ltd.
“I had my Business of Acting, BFA Seniors, class do book reports on a variety of “business of acting” books and ACTING: Make It Your Business came out a clear winner—considered to be essential for their bookshelves!
Dr. NINA LeNOIR,
Dept. Chair – Dept. of Thtr.
Chapman University

Get smarter on the business of acting from legendary Hollywood & Broadway actors and talent agents in a casting director Paul Russell’s Best-Selling Book ACTING:AMIYB_Amazon Make It Your Business!

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Paul Russell’s career as a casting director, director, acting teacher and former actor has spanned nearly thirty years. He has worked on projects for major film studios, television networks, and Broadway. Paul has taught the business of acting and audition technique at NYU and has spoken at universities including Yale, Elon and Wright State University. He is the author of ACTING: Make It Your Business – How to Avoid Mistakes and Achieve Success as a Working Actor. For more information, please visit www.PaulRussell.net.

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ACTING: Make It Your Business

Don’t Be This Actor! – #1 Professional Relationship Killer

Casting directors, directors, talent representatives and producers often encounter the-world-belongs-to-me thespians who pretend friendship in hopes of leveraging career opportunities. Repulsed they avoid actors who…

Justin—never one to be mistaken for for Mr. Congeniality—turned to his buddy and quipped, “If I go to a bar I’m bound to get laid before the ugly lights burn.”

Sean peered at him. “Just because you’re single and breathing doesn’t mean everyone will drop a condom for you.”

Justin’s blind sense of entitlement excels in some opportunistic actors who masquerade as friends to colleagues but under their congenial masks they’re social piranhas: feeding their career’s insatiable ambition appetite from a trough of other’s good will.

Casting directors, directors, talent representatives,  producers, and universally aware actors often encounter the-world-belongs-to-me thespians who pretend friendship in hopes of leveraging career opportunities. Repulsed by repetitious actor retailing, talent champions, entertainment employers, and artists favoring integrity over an ambitious agenda, avoid the egocentric actor who leverages career momentum by offering a false friendship.

Recently a friend, who has furthered the career goals of many industry and household known actors, wearily commented that the actors he’d helped for decades and purported to term him ‘friend’ no longer contact him or return his ‘how are you’ inquiries since his pursuing a new career beyond entertainment. He’s no longer of use to their business aspirations. On occasion an actor will randomly e-mail him inquiring halfheartedly, “How’s life?” Then follows quickly the true outreach’s purpose; the social piranha desires career advancement assistance.

Another entertainment industry peer voiced similar of her being wanted by actors only for what she had to offer to representing their careers. As an agent of three-plus decades, who was formerly an actress, she provides her knowledge of audition technique and scene study at various studios. When she’s approached by actors seeking her for classes too many of the actors don’t first ask, “How can you guide me with this challenge in my skills I’m having?” Instead the actors ask, “If I study with you, will you also represent me?” Her response is, “One of my loves is sharing my experience and industry knowledge in order to benefit an actor’s skill set. I don’t teach for pay-to-play. I teach because I love actors.” She’ s lost many prospective students with her answer.

I received an e-mail, similar to many sent from actors never met:

“Thanks for all the info you post and opportunities to learn – I ordered your book from Amazon earlier today.”

I smile, until…

“Do you have a role for me? I want your feedback on my reel at **********.”

The actress doesn’t hear the shower beckoning her.

Ability and appropriateness are the first major factors to winning career goals. Honest intent, without exploitation, of your relations is equally as important a factor. No one is entitled to anything beyond living freely in pursuit of joy.

When reflecting upon your industry relations, or you’re tempted to link via a social network with industry ask yourself,  “Do I want to leverage (i.e. use) this person for my goals? Or do I want to build a relationship with this person I get so we both get to know the other for ourselves, and not for what we each do?”

Honest friendships foster mutual success, and opportunity…

Casting Directors, Talent Agents, Directors & Actors

Love the Best-Selling Book for Actors
ACTING: Make It Your Business!

AMIYB_Amazon“Humorous and witty…
Actors everywhere who are trying to succeed in the business, young or old, on stage or on camera, anywhere in the world, take note:

This is your roadmap!”
BERNARD TELSEY, casting director – CSA
(NBC’s Peter Pan – LIVE!, Into The Woods – The Movie, Wicked, Sex & The City)
“All the right questions asked and answered…
and with a generous portion of good humor.”
SUZANNE RYAN, casting director, CSA
(Law & OrderUnforgettable)
“I love this book!
Paul’s book tells you what you don’t want to hear but really need to know
EVERY actor should read this book!”
DIANE RILEY, Senior Legit Talent Agent
Harden-Curtis & Associates
“Paul’s book made me proud to be a part of this community we call ‘show!'”
KAREN ZIEMBA, TONY & Drama Desk Award Winning Actress
“Paul Russell’s words are not only blunt & accurate they zero in on all the questions every actor wants to know but is afraid to ask!”
KEN MELAMED, Talent Agency Partner
Bret Adams, Ltd.
“I had my Business of Acting, BFA Seniors, class do book reports on a variety of “business of acting” books and ACTING: Make It Your Business came out a clear winner—considered to be essential for their bookshelves!
Dr. NINA LeNOIR,
Dept. Chair – Dept. of Thtr.
Chapman University

Get smarter on the business of acting from legendary Hollywood & Broadway actors and talent agents in a casting director Paul Russell’s Best-Selling Book ACTING:AMIYB_Amazon Make It Your Business!

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Paul Russell’s career as a casting director, director, acting teacher and former actor has spanned nearly thirty years. He has worked on projects for major film studios, television networks, and Broadway. Paul has taught the business of acting and audition technique at NYU and has spoken at universities including Elon, Yale, Temple and the University of the Arts. He is the author of ACTING: Make It Your Business – How to Avoid Mistakes and Achieve Success as a Working Actor. For more information, please visit www.PaulRussell.net.

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