How Actors Steal Auditions from Actors | Answers for Actors

Actors are stealing your audition appointments. Actors who mischievously reap resources; yours and my clients’.

Paul Russell
Visit Paul @ PaulRussell.net

Actors are stealing your audition appointments. Actors who mischievously reap resources; yours and my clients’.

Recently my office sought non-union actors for a union project. Hundreds of agent and unrepresented-actor submissions were reviewed. Appointments were given. Every actor confirmed their appointment personally or via representation. Audition day came. Double digit no-shows occurred.

How much did each actor’s absence cost? Sum expenses (casting fee, advertising, studio rental, staff salaries, estimated producer expenses including accommodations and transportation) divide that total by the number of actors scheduled, equals…(drum roll) $535.00 plus per actor.

Adding up to over $6,400 does not account for other costs incurred: scheduling an additional audition session to compensate for the M.I.A. actors, communication costs, time pulled from other projects for all involved, and office expenditures for both the casting office and the producer. Add in those totals and the outlay spent towards each actor’s appointment increases several hundred dollars.

And were you robbed of a great value: an audition? Twelve no-shows meant that twelve other actors could have been seen. And one of those twelve could have won work. This happens often on nearly every audition session: no-show actors who by not attending a confirmed appointment robbed a fellow actor of an employment opportunity. (Although I’ve never incurred a dizzying dozen deficits like this in one session.)

Some restaurants charge the credit card of customers who bail on a dinner reservation. Why not impose similar of no-show actors at auditions?

Outrageous? Not according to one actress I encountered who demanded after being cut from a dance call that I and my client pay for her transportation expenses to and from the audition studio. No go girl.

Paul's book ACTING: Make It Your Business!Doubtful the twelve absent actors were together on a stalled train. And if they were all detained elsewhere why not a single e-mail or call explaining their absence? It’s not a casting office’s responsibility to track down no-show job applicants. Our role is to assist actors who commit to the professionalism of the audition process. Mature, responsible actors know that if detained or foresee their absence to an audition professional protocol is to promptly advise the casting office.

As attributed to Woody Allen, “Eighty percent of success is showing up.” Twelve actors are presently failing their careers. Worse, they’re failing themselves. If only they simply… showed.

My Best,
Paul

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Paul Russell’s career as a casting director, director, acting teacher and former actor has spanned nearly thirty years. He has worked on projects for major film studios, television networks, and Broadway. Paul has taught the business of acting and audition technique at NYU and has spoken at universities including Yale, Temple and the University of the Arts. He is the author of ACTING: Make It Your Business – How to Avoid Mistakes and Achieve Success as a Working Actor. For more information, please visit www.PaulRussell.net.

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Is There Overused Audition Material? | Answers for Actors

Three casting directors bluntly weigh-in on an actor’s most dreaded fear…

“You can’t do that scene, everyone does it.”

“Never sing that song in an audition, it’s done to death.”

“Everyone and their mother murders that monologue.”

How many times have you heard the above or similar about audition material? Spoken by actors who say ‘they’re in the know’; or blathered by academics who haven’t attended a professional audition since being tenured when Cats was a West End curiosity; or whined from cranky casting zombies bitter for having to beg actors audition for no-to-low paying gigs?

There is no such thing as ‘overdone.’ A repeated monologue, scene or song is either done well by an actor or mangled with injustice by a presenter.

Actress Laura Gurry contacted me and two of my casting director colleagues, Scott Bradley and Michael Cassara, in seeking advice on the too-oft-asked-question-by-worrisome-actors, “Is it overdone?”

Gurry, Bradley, and Cassara generously permitted me to share with you our Facebook exchange:

Overdone1

There was a reason I’d rarely heard “Unbridled Passion” if at all…

Overdone2

Oooh… auditors at the combines, say no more:

Overdone3

Overdone4

Cassara’s succinct answer shows how simple the answer is to this overwrought question.

The above, and the following excerpt from ACTING: Make It Your Business applies to any audition material be it monologue, scene or interpretive sock puppet soliloquy. Understood? Good:

“…The unwritten law prohibiting use of “overused songs” in auditions is bull. The b.s. comes from auditors and academics who are lazy listeners. I have no problem hearing countless renditions of “Corner of the Sky” from Pippin and “Anthem” from Chess. If an “overused song” is presented well, I’m a happy casting director. Reach for that money note beyond your range in “Anthem” with a screech and you’re history.

“…A person’s ability to sing a song well, with great skill, should be the barometer for talent, rather than the number of times the song has been heard.

“If you sing and interpret a song well, do it. But don’t become hooked on a couple of songs at which you know you kick ass. Having a songbook that covers all genres of music is key to versatility. Variety is welcomed and necessary.”

And finally: don’t let newbie-while-jaded casting personnel or ‘in-the-know’ actors stop you from doing what you do well. Go ahead and belt “Defying Gravity” from Wicked as long as you don’t land it with an earth shuddering thud.

My Best,
Paul

Casting Directors, Talent Agents, Directors & Actors

Love the Best-Selling Book for Actors
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AMIYB_Amazon“Humorous and witty…
Actors everywhere who are trying to succeed in the business, young or old, on stage or on camera, anywhere in the world, take note:

This is your roadmap!”
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Paul’s book tells you what you don’t want to hear but really need to know
EVERY actor should read this book!”
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KAREN ZIEMBA, TONY & Drama Desk Award Winning Actress
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Dr. NINA LeNOIR,
Dept. Chair – Dept. of Thtr.
Chapman University

Get smarter on the business of acting from legendary Hollywood & Broadway actors and talent agents in a casting director Paul Russell’s Best-Selling Book ACTING:AMIYB_Amazon Make It Your Business!

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Paul Russell’s career as a casting director, director, acting teacher and former actor has spanned nearly thirty years. He has worked on projects for major film studios, television networks, and Broadway. Paul has taught the business of acting and audition technique at NYU and has spoken at universities including Yale, Temple and the University of the Arts. He is the author of ACTING: Make It Your Business – How to Avoid Mistakes and Achieve Success as a Working Actor. For more information, please visit www.PaulRussell.net.

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ACTING: Make It Your Business