Actor Jealousy & Comparisons

This week: Jealousy Losses. Ambition Wins

Comparisons; they happen. Especially in group settings such as the collaboration that is the performing arts. And they can destroy the harmony and productivity of any project. The comparison can be a seemingly innocent thought such as a dance captain musing to themselves that one the dancers in the theatrical company has a better extension.  Or it can be a morale damaging comment carelessly (or with malicious intent) spoken by a secondary role actor that they believe they have superior skills than the actor playing the leading role. Comparisons do damage. Whether spoken or silently pondered. While you may think comparing is helpful to better oneself; careful. Human nature often goes towards the negative like a sexual compulsive to a bathhouse. Either situation; the chatterer or the salacious sex fiend, leaves them feeling empty and less than their worth. Jealousies fester.

We all do comparisons of ourselves to others. My partner constantly reprimands me for diving into the infested waters of the comparison swamp. I’ll comment about peers who I assume or know to have more profitable careers than I. And then I’ll mope. For days. Sometimes weeks. Thinking ‘I’m not good enough.’ When my book ACTING: Make It Your Business was first released I was daily, almost hourly, obsessed with going to Amazon.com to see where my sales rank rated and how it compared with similar books. When my high school friend Kevin Murphy, the creative behind Mystery Science Theater 3000 and Reefer Madness – The Musical, became an executive producer and writer for Desperate Housewives I wallowed in the soulless self-pity of ‘Why can’t that be me?’ None of these actions were helpful to my moving forward in my goals. Nor was I a happy camper to be around in the company of others. And this wallow and worry was also a major waste of time and energy. Energy that could have been put to better use elsewhere; like an ambition to looking for new opportunities for growth. As I often say (but seldom follow) ‘Worry is a waste.’ Eventually I’ll slap myself and stop what is essentially career momentum stopping behavior.  We all have our moments but when they build from moments to eras then you need to fix your comparison problem.

Positive comparisons are fine such as one actor complimenting another on their performance, “It’s wonderful how you ground your character and keep the tension of the story; I’m learning much from your work.” With a comment similar to that you’re not only providing positive reinforcement to a fellow company member (who may be in their own comparison swamp) you’re also displaying your desire for growth.

BackstabA potential negative comparison such as one actor to another in a regional theater setting, “Your comedic timing is fascinating; I’ll never be as good as you.” opens a Pandora’s Box for trouble. It may have seemed that what was expressed was a compliment. But words have a funny way of being twisted and carrying meaning beyond what we intend. Let’s take a look at where the statement crashed. First; the comment, “I’ll never be as good as you” belittles your contributions and openly announces insecurities which others in the company seize upon as a confessed weakness and gives an invitation to dismiss you. Secondly, you empower the person to whom you’re speaking. And thirdly, the vagueness of the comment “fascinating” could be viewed as sarcasm by the recipient.

The comparison statement doesn’t even have to be made by you to the person you admire (or are jealous of). Some people with insecurities (and that’s the heart to where this problem stems) will whisper to others in a company that they believe their skills to be far superior to someone else within the same company. That statement then, like the childhood game of telephone, is spread from one company member to another. The telling of the comparison changes as the information is disseminated and distorted between exchanges. Eventually this brings attention of the person(s) you were comparing yourself to. Gone is company moral. Unnecessary tensions build. Distrust breeds. Negativity manifests within the production.

Making comparisons is not healthy if you continually focus on your faults or the faults of others.

One of the traps in the comparison swamp is perception. While you may look at someone else who dabbles in your field of expertise and think them to be wildly successful you never truly know what their life is like. To the public they may seem as if they have a sweetly composed life accompanied by a healthy bank account. But in reality they may be like you; comparing their career (or lack thereof) to someone else while wishing their own were better.

If you wallow in the “I wish that were me” then you’ll always be mired in the comparison swamp. Lost in the reeds. Drowning. When the comparatives surface in your cranium think carefully before giving them validity. Is it jealousy that prompted the thought or is it a desire to better yourself? If it’s the former, toss the thought of, “I could be better than so-and-so…” away. If it’s for the betterment of you and invigorates your ambition for improvement then embrace and keep the thought to yourself while working on finding means to be content with what you presently can develop or keep from your talents. You’ll be a much happier artist if you do so.

My best,
Paul

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plus Hollywood & Broadway actors in Paul Russell’s Best-Selling Book ACTING: Make It Your Business!

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Paul Russell’s career as a casting director, director, acting teacher and former actor has spanned nearly thirty years. He has worked on projects for major film studios, television networks, and Broadway. Paul has taught the business of acting and audition technique at NYU and has spoken at universities including Yale, Elon and Wright State University. He is the author of ACTING: Make It Your Business – How to Avoid Mistakes and Achieve Success as a Working Actor. For more information, please visit www.PaulRussell.net.

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ACTING: Make It Your Business

Actors Who Money B*tch & Steal

Why do a peevish percentage of actors believe stealing revenue from fellow artists is an honorable entitlement to the profession?

Why do a peevish percentage of actors believe stealing revenue from fellow artists is an honorable entitlement to the profession? A premise derived from a mistaken belief that as ‘artistes’ they’re morally above commerce?

An actor I believed smart and civic-minded posted on Facebook:

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“Oh, Paul get over yourself,”  you reply. “Everybody swaps music.”

What if you’re the artist who survives on royalties from your opus? If you write for the screen or stage—your words, plot lines, arc and character development were distributed or produced without financial cha-ching compensating your labors? Others are profiting. Would you appreciate a nay-sayer’s, “Oh, get over yourself?”

Your artistic peers don’t seem to give a damn for your starving artistry as demonstrated in the replies below:

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One objection:

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The thread quickly vanished.

Composer Jason Robert Brown and a young actress debated heatedly online regarding free online access to his (and other composers’) published sheet music. His copy-written material being accessed by thousands of purveyors for free seriously dips into his revenue stream. He doesn’t have the deep pockets of Sir Webber. He heads a middle-class household. But the actress argued she’s “a starving actress.” Her professional peril she grumbled should allot her and other actors free access.

Really?

No one forces upon anyone the profession of actor. An actor isn’t born butt branded designating their career for life. There are many paths available which traverse more stable and monetarily lucrative journeys. But this young woman placed her impoverished career on an altruistic moral plane where money is to be waived because she’s a “starving actress.”

Somalia is starving. You’re spoiled.

When I was near finished writing ACTING: Make It Your Business an actor in a production I was directing asked I forward him the book’s files from my computer. He wanted a free read. I shook my head; walked away. I should have turned, and said, “You give up the $1,500 per week you’re being paid at present to be in this show and…maybe I’ll consider your request.”

For two years an actress e-mailed me seeking free advice of which I dutifully answered thinking she’d been a reader of my first book. In her last list of questions she revealed that she’d go to Barnes & Noble, read ACTING: Make It Your Business, transcribe information, and then place the tome back on the shelf. She could have bought the book on Amazon for $13. Over two years that’s less than 0.0178082191780821917808219 cents per day! I stopped answering her.

While teaching a collegiate class a student whined, moaned, bitched and convulsed a hissy-fit when I mentioned that, as an actor who needs to network with the industry, he would need to obtain the Call Sheet listing agents and casting directors.

His reaction? “I have to spend more money?”

Civilians don’t often bitch about having to pay expenses related to their professional growth. They may complain about the price but not the requirement to pay for education, networking, and career expansion. But with some actors… well… they are an “ahc-torh…” and it’s sacrilegious to their divine muse to dip into the wallet and pay for the benefit of their career. Give me a penny-pinching-pretentious break. This is not Star Trek where money is a charming antiquated form of commerce. If you’re waiting for star date 1314.5 you’re a Ferengi with a dismal future of big-eared begging.

Want to support fellow artists so they in turn can support you? If you recognize yourself resembling one of the above “thieves”: Stop stealing. Pay-up, pay it forward.

My Best,
Paul

Casting Directors, Talent Agents, Directors & Actors

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Chapman University

Get smarter on the business of acting from legendary Hollywood & Broadway actors and talent agents in a casting director Paul Russell’s Best-Selling Book ACTING:AMIYB_Amazon Make It Your Business!

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Paul Russell’s career as a casting director, director, acting teacher and former actor has spanned nearly thirty years. He has worked on projects for major film studios, television networks, and Broadway. Paul has taught the business of acting and audition technique at NYU and has spoken at universities including Yale, Elon and Wright State University. He is the author of ACTING: Make It Your Business – How to Avoid Mistakes and Achieve Success as a Working Actor. For more information, please visit www.PaulRussell.net.

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ACTING: Make It Your Business