Talent Agent Charges Clients Additional Fee as Part of Representation

Representing NYC-based actors a talent agent, based in the Philadelphia area, apparently charges clients a fee as part of representation. The three-figure fee stated by the agent is “a necessity.”

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Representing NYC-based actors a talent agent, based in the Philadelphia area, apparently charges clients a fee as part of representation. The three-figure fee is stated by the agent as “a necessity.” Required so that the actor be included on the agent’s website. A website that until recently highlighted a link to an article in which the agent purports that she has been visited by the Blessed Mother thrice. The home page of the agency’s website also includes strongly worded admonishments to clients on professional behavior.

For years the Philadelphia agent’s practice has been reported by actors and recently corroborated in an mail exchange obtained by Answers for Actors between a client and the agent:

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The agent is a SAG-AFTRA franchised agent. In the SCREEN ACTORS GUILD CODIFIED AGENCY REGULATIONS between agents and the actor union to represent SAG-AFTRA members the fee seems to violate the agreement. Under Section VIII Disciplinary Provisions, Sub-section C the following is stated:

“The following offenses are those for which an agent or a sub-agent may either be fined or in the discretion of the arbitration tribunal for which the franchise of an agent or sub-agent may be suspended, revoked, or conditionally franchised:

(2) Charging or contracting to charge in excess of ten percent (10%) for his services under an agency contract, directly or indirectly, and whether as commissions, fees or other charges for performing any other services for an actor whether as attorney, business manager, personal manager, publicity agent or otherwise…

Inclusion of an actor’s picture and resume for a fee on an agency’s website could be considered a form a publicity.

In the agreement an “agent may not receive for agency services in the motion picture industry from an actor a higher rate of commission than ten percent (10%), directly or indirectly, or by way of gratuity or otherwise.” The clause goes on further to state:

  1. Notwithstanding anything in the Regulations, Basic Contract or any agency contract, no member shall ever pay more than ten percent (10%) commission for agency services in the motion picture industry…”

If a new client of an agency hasn’t booked work via that agency then the $150 fee seems to far exceed 10% of the actor’s zero income.

Answers for Actors contacted a representative from SAG-AFTRA’s franchise office. The representative was asked if a franchised agent can charge actors $150 to be placed on an agency’s website. Madelyn Sosa, Information Management Coordinator for SAG-AFTRA responded: “It depends in which location the agencies are located in. In Los Angeles our agencies are not allowed to charge a fee.”

In response to Ms. Sosa, Answers for Actors followed-up October 27,  2015 asking if a Philadelphia agency representing NYC-based actors and charging a fee for inclusion on the agency’s website as a requirement violated SCREEN ACTORS GUILD CODIFIED AGENCY REGULATIONS. The inquiry remains unanswered.

Actors have reported that the Philadelphia SAG-AFTRA office sent an email in 2014 to members and agents stating:

“The SAG-AFTRA Philadelphia Board of Directors has voted to terminate the website waiver that permitted franchised agents in the Philadelphia Local to charge a yearly fee to performers for including photos/resumes on their website. All Philadelphia agents have been advised that this termination will go into effect on June 1, 2014.

Therefore, as of June 1, 2014 franchised agents may no longer charge members (or non-members) a fee for posting or maintaining pictures or resumes on any website for work in areas where SAG-AFTRA has exercised jurisdiction. “

Long-standing rule of practice for union franchised agents is that an agent may only collect 10% commission on commission-rated payments from producing entities to actors: no other fee charged by an agent is permitted.

A represented actor included on an agency’s website is virtually unheard of. Most casting directors do not visit agency websites for casting as most agency websites don’t wish to publicly announce their client lists. The majority of submissions by agents of their clients to casting for stage and screen projects occurs predominantly via Breakdown Services. The actor’s picture and resume is placed on an online platform provided to agents for a subscription payable to Breakdown Services. If an agency is charging their clients an online fee is it not too implausible that the fee subsidizes the agency’s subscription to Breakdown Services?

My best,
Paul

Paul Russell’s career as a casting director, director, acting teacher and former actor has spanned thirty years. He has worked on projects for major film studios, television networks, and Broadway. Paul has taught the business of acting and audition technique at NYU and has spoken at over two-dozen universities including Yale, Elon, Wright State University and Rutgers. He is the author of ACTING: Make It Your Business – How to Avoid Mistakes and Achieve Success as a Working Actor. For more information, please visit www.PaulRussell.net.

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Casting Directors, Talent Agents, Directors & Actors

Love the Best-Selling Book for Actors
ACTING: Make It Your Business!

AMIYB_Amazon“Humorous and witty…
Actors everywhere who are trying to succeed in the business, young or old, on stage or on camera, anywhere in the world, take note:

This is your roadmap!”
BERNARD TELSEY, casting director – CSA
(NBC’s Peter Pan – LIVE!, Into The Woods – The Movie, Wicked, Sex & The City)
“All the right questions asked and answered…
and with a generous portion of good humor.”
SUZANNE RYAN, casting director, CSA
(Law & OrderUnforgettable)
“I love this book!
Paul’s book tells you what you don’t want to hear but really need to know
EVERY actor should read this book!”
DIANE RILEY, Senior Legit Talent Agent
Harden-Curtis & Associates
“Paul’s book made me proud to be a part of this community we call ‘show!'”
KAREN ZIEMBA, TONY & Drama Desk Award Winning Actress
“Paul Russell’s words are not only blunt & accurate they zero in on all the questions every actor wants to know but is afraid to ask!”
KEN MELAMED, Talent Agency Partner
Bret Adams, Ltd.
“I had my Business of Acting, BFA Seniors, class do book reports on a variety of “business of acting” books and ACTING: Make It Your Business came out a clear winner—considered to be essential for their bookshelves!
Dr. NINA LeNOIR,
Dept. Chair – Dept. of Thtr.
Chapman University

Get smarter on the business of acting from legendary Hollywood & Broadway actors and talent agents in a casting director Paul Russell’s Best-Selling Book ACTING:
Make It Your Business
!

Master Classes with Paul Russell
A Casting Director’s Best-Selling Book for Actors

ACTING: Make It Your Business

How to Audition On-Camera Auditions for Modern Casting

Is the traditional actor’s reel a hipster man-bun bound for extinction? Yes.

Are on-camera auditions recorded in a casting director’s office (or in the office of the actor’s rep.) as relevant to the modern casting process as is Kim Kardashian is to winning a Pulitzer for literature? Yes.

On camera

PR_headshot_A4AIs the traditional actor’s reel a hipster man-bun bound for extinction? Yes.

Are on-camera auditions recorded in a casting director’s office (or in the office of the actor’s rep.) as relevant to the modern casting process as is Kim Kardashian is to winning a Pulitzer for literature? Yes.

Casting directors for the screen, whether TV network, indie films, online outlets like Netflix, or Hollywood film blockbusters rarely view an actor’s reel in today’s Twitter-paced world. The worry for actors is no longer, “How long is my reel?” The worry for actors, and actor representation, is: does the actor have digital real estate online with audition competitive clips that target project-casting specificity?

Digital Real (reel) Estate:

When casting is seeking actors for a screen project the director, producers, writer(s), and casting only want to view quickly one (maaaybe two) clips of the actor’s screen work that matches the project being cast. That’s it. No reel.

The record of the actor’s relevant on-camera history must be industry-accessible beyond Breakdown Services / Actors Access, and definitely not on YouTube which restricts the posting of protected material. (Plus YouTube is the public digital landfill taunting with distractions; pulling away with cute kitty clips a viewer’s attention from the actor.)

So what to do with that reel dormant on a drive? Old fashion reel, real estate (clips disjointedly mashed together as a whole) is strictly for seeking representation.

What does an actor need now to be casting-competitive digitally? We’ll get to that new industry standard shortly…

Auditioning On-Camera:

When creatives involved in casting for a screen project (and sometimes for stage projects) want to see the actor with material from that project the actor must often participate in Eco-casting: record themselves utilizing provided audition material, and then make available to the casting office the recorded audition. No longer do actors with representation go to their agent’s office to be ‘put on tape.’ Represented or not the actor must be both director, editor, and actor recording themselves. A daunting proposition for the actor that is today’s producer budget-tightening reality spawned by the digital revolution.

The changes have come swiftly. And too many actors haven’t caught up to the modern demands of on-camera auditioning, and digital real estate.

Two respected screen casting directors and a successful bi-coastal talent agency owner join my office for a 3-week on-camera intensive. The executive entertainment panel includes guests associated with major studio and indie films including projects for: HBO, ABC, CBS, NBC, American Horror Story, and many more successful screen outlets.

Together we share the importance not only on Eco-casting on-camera audition technique but also on the changes required for relevance for the modern actor’s digital real estate. The entertainment executives view and provide feedback on the actor’s work. Plus, participating actors receive an online, private link to their in-class on-camera work. The video files can be downloaded and saved.

WEEK 1: Mastering Media Real Estate (Having a reel is not necessary for participation.)

Discover the gold-standard for what Prime-Time TV & major film casting expect of proper and effective actor media in the digital revolution.

For the class participants with reels: Evaluation & advisement of modernizing your screen media for agents, and casting.

For actors without reels: A valuable insight for what is required to audition in an Eco-casting realm that is modern casting.

WEEK 2: Commanding the On-Camera Audition & Actor Branding – Getting the Job

Plus…

Analysis of Improvements 

Strengthen acting & live on-camera audition skills via scene study; define & leverage your type; Perfect your brand for when meeting industry employers; Target what makes you excel during an on-camera audition.

Utilizing audition scenes—from screen projects—I and my trusted assistant work with each actor to command every on-camera audition encountered.

WEEK 3: On-Camera Audition Technique & Branding Follow-up

Plus…

Final Analysis of Media Prior to Presentation to the Entertainment Industry Panel

Audit and consult on improvement of: on-camera technique; effectively commanding the audition, text analysis, and dressing right for your brand.

For actors with digital media: a review of their improved material.

Wrap-up Q&A preparing the actor for the panel.

Panel Showcase & Feedback

Prepared, actors individuality meet and present their improved on-camera skills to the adviser panel. Actors with digital media will have their material presented to the panel as well.

At the end of the evening individual written feedback is provided by the panel on the actor’s scene work. A wrap-up Q & A follows.

Two-dozen universities including Yale to Elon to Wright State annually invite me share my NYC master classes on their campuses with their acting-major seniors. You can get a jump on those actors, plus share with the entertainment executive panel what you and I worked on together to showcase your improvements.

The On-Camera Master Class that has as guest advisers: casting directors for HBO, ABC, NBC, CBS, major films and indie-films. Plus a Hollywood agent with clients on American Horror Story. Only 5 Seats remain between both series!

Grab your treat at: http://paulrussell.net/AMIYB_MasterClass.html

Dates, Executive Panel, & Registration @ http://paulrussell.net/AMIYB_MasterClass.html

Let’s get to work, my friend.

My best,
Paul Russell
www.PaulRussell.net

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Paul Russell’s career as a casting director, director, acting teacher and former actor has spanned nearly thirty years. He has worked on projects for major film studios, television networks, and Broadway. Paul has taught the business of acting and audition technique at NYU and has spoken at over two-dozen universities including Yale, Elon, Wright State University and Rutgers. He is the author of ACTING: Make It Your Business – How to Avoid Mistakes and Achieve Success as a Working Actor. For more information, please visit www.PaulRussell.net.

Casting Directors, Talent Agents, Directors & Actors

Love the Best-Selling Book for Actors
ACTING: Make It Your Business!

AMIYB_Amazon“Humorous and witty…
Actors everywhere who are trying to succeed in the business, young or old, on stage or on camera, anywhere in the world, take note:

This is your roadmap!”
BERNARD TELSEY, casting director – CSA
(NBC’s Peter Pan – LIVE!, Into The Woods – The Movie, Wicked, Sex & The City)
“All the right questions asked and answered…
and with a generous portion of good humor.”
SUZANNE RYAN, casting director, CSA
(Law & OrderUnforgettable)
“I love this book!
Paul’s book tells you what you don’t want to hear but really need to know
EVERY actor should read this book!”
DIANE RILEY, Senior Legit Talent Agent
Harden-Curtis & Associates
“Paul’s book made me proud to be a part of this community we call ‘show!'”
KAREN ZIEMBA, TONY & Drama Desk Award Winning Actress
“Paul Russell’s words are not only blunt & accurate they zero in on all the questions every actor wants to know but is afraid to ask!”
KEN MELAMED, Talent Agency Partner
Bret Adams, Ltd.
“I had my Business of Acting, BFA Seniors, class do book reports on a variety of “business of acting” books and ACTING: Make It Your Business came out a clear winner—considered to be essential for their bookshelves!
Dr. NINA LeNOIR,
Dept. Chair – Dept. of Thtr.
Chapman University

Get smarter on the business of acting from legendary Hollywood & Broadway actors and talent agents in a casting director Paul Russell’s Best-Selling Book ACTING:
Make It Your Business
!

Skype With Paul
A Casting Director’s Best-Selling Book for Actors

ACTING: Make It Your Business