How One Actress Got (LOTS of) Work

There are dark moments when I want to walk away from ‘entertainment’. Grab the cats. Toss Tastykakes into my backpack. Jump into the Honda. Hit the road. Head north. Open a gem store in Vermont. Follow other pursuits. The casting and teaching — both by-products of my career as a director, author and former actor – persistently pull for my attention. And during that talent tugging, once-in-awhile, a moment of magic happens.

Sometimes people shy away from letting wonderful happen. While others pursue goals with fervor and that’s when… magic happens. I often have to remind myself of such.

There are dark moments when I want to walk away from ‘entertainment’. Grab the cats. Toss Tastykakes into my backpack. Jump into the Honda. Hit the road. Head north. Open a gem store in Vermont. Follow other pursuits. The casting and teaching — both by-products of my career as a director, author and former actor – persistently pull for my attention. And during that talent tugging, once-in-awhile, a moment of magic happens. A joy not plotted. And I realize that what I consider an off-shoot to my pursuits has brought a primary success to actors I encounter. And that makes all the attention grabbing by casting and teaching extremely wonderful. If my tasks as teacher and glorified human resources can help just one actor attain goals; the Tastykakes and turquoise can wait.

Recently one such magical moment materialized…

Holly Williams, a charming young actress, recently received 43 weeks of consecutive work at a TONY award-winning LORT theater; her AEA card; plus several leads in musicals and new plays including the female lead in the first national tour of CIVIL WAR VOICES– all from one audition!

How?

She was one of my students in the Broadway version of Access to Agents. I subsequently called her in for the bountiful casting as a direct result of her being in the class. If she had not participated I wouldn’t have known her. The audition slot would have gone to someone else. An opportunity for both of us (and my producer-client) would have been lost. Thankfully she got into the sold-out class when a drop-out occurred. Luck and timing (and yes… her wonderful talent) over a year ago brought Holly to her present employ. That’s how this business often works; luck and timing. And that’s magical. As I’ve led the cyber-cry to actors; ‘networking and study do work to enhance career prospects’.

I’m thrilled for Holly’s success. When actors land jobs via auditions for my projects or get agents and subsequent employment via classes like Access to Agents I’m happy and celebrate their good fortune with a Tastykake or two. (Thanks again to Chris Delaine for the side-tracking Oreos.)

But…

There’s a disturbing recent trend among musical theater artists. They’re hiding. (O.K. I can hear your inner vibrato belt, “No I’m not!” To which I reply; when was the last time you did a mass mailing to agents, casting directors and regional theaters? If you answered “I don’t recall” or “When stamps were licked”; come out, come out wherever you are.)

Agents, other casting people and artistic directors are noticing this disappearing act when seeking musical theater actors (apart from open calls). The mailings and perpetual follow-ups from the Webber and Sondheim minded have been diminishing over the past several years. What’s up with that? Why have too many musical theater artists directed themselves solely to career stagnation/gamble/too-damn-early-to-audition-complaint of the open call? I recently encountered a musical theater actor who asked me if ‘he should ignore reading Back Stage; sending mailings; and attending agent seminars?’ Well, geez if you want to be a funeral director… yes. If you want to be a working actor… duh.

Stop hiding. Send out mailings. Participate in classes that network and grow your career. Open calls alone don’t make for career longevity. I’m not B.S.-ing when I ardently say, “Agents are constantly seeking musical theater artists because there’s more work for actors who sing.” Look to what happened for Holly Williams. Then there’s the actors who got agents via Access to Agents like; Renee Bergeron, A’Lisa Miles, Michael Sample, Natalie Kim, Benjamin McHugh, Guito Wingfield, Crystal Kellogg, J.P.  Groeninger, Lenny Gutierrez and many other wonderful actor-students I’m ashamedly overlooking because the list keeps growing.

Yes, this may seem exploitative here… But you choose how to grow your career. I and no one else forces you to participate in any particular venue or path. Your success… wherever or however attained, gives me an excuse for Tastykake sugary indulgence while keeping the cats from meow-panic in the Honda on the highway to Vermont.

Butterscotch Krimpet anyone?

My Best,
Paul

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Paul Russell’s career as a casting director, director, acting teacher and former actor has spanned nearly thirty years. He has worked on projects for major film studios, television networks, and Broadway. Paul has taught the business of acting and audition technique at NYU and has spoken at universities including Yale, Temple and the University of the Arts. He writes a column for Back Stage and is the author of ACTING: Make It Your Business – How to Avoid Mistakes and Achieve Success as a Working Actor. For more information, please visit www.PaulRussell.net.

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What am I Doing Wrong?! – Actors Turning a Negative to Postives

Looking beyond the factors that you can not control (rude auditors, attention deficit disordered agents, persnickety producers, anemic economies) what can you commandeer in your career and improve upon to better yourself?

This week: Actors who get too comfortable

What am I doing wrong? I ask myself this question. Often. It’s not that I’m a pessimist (O.K. I know some readers will be thinking to themselves, Uh, Paul… hello rain cloud to sour opening line of a novel; you’re dark and stormy.) No. I’m not. I’m a realist who likes to look at life with honesty rather than peppermint pink Pollyanna confection. (Although I do love Disney theme parks and snow on Christmas.)

So what am I doing wrong? I have some challenges.  But I’m also doing many things right.  Yet I refuse passive comfortableness with whatever success(es) I attain. I view my achievements — and failures — with a critical eye so as to learn how to repeat or improve my fortunes and deter deficits. An actor, as an ever evolving artist, must continually do the same. There will always be potential within yourself for improvement. No one remains perpetually flawless like the Hope Diamond. If all lives were perfection then why the hell do many in the cell-phone addiction collective find themselves bitching occasionally about dropped calls (Hello AT&T? What are you doing wrong?).

There are some actors among us who will blame others for the lack of progress within their own career and whine, “People just don’t recognize what I have to offer,” to anyone who will begrudgingly listen. When I’m the audibly assaulted my reply slapped back is, “Why?” Lesser life-engaged actors often snap back with a curt, “Because people are ignorant morons.” Uh-huh… Ignorant is as ignorant denies.

If you’re not getting the response craved to the efforts of your desires then wouldn’t it be prudent to turn inward and ask, What am I doing wrong? Now, granted you may not be in complete error for underachieving towards your goals. We can’t control every aspect of how others respond to us. But if fruitless patterns persist; marketing materials get crickets in response, your acting or singing rarely register a call-back, meetings and interviews often don’t bring invites to return; then something within what you’re doing may well be wrong. Patterns exist for a reason; repetitive behavior. So what’s so wrong with tossing the ego aside for some self-reflection and delve into your psyche to question, What am I doing wrong?

And for those who look upon that question as a harsh negative no more delightful than a greasy spoon dinner plate laden with soggy spinach then here’s the Café Du Monde sugar powdered beignet; “What could I be doing better?” How you ask yourself the question for improvement (either listless vegetable or deep-fried delight) is just semantics. The end result – change for the better – is the goal.

So looking beyond the factors that you can not control (rude auditors, attention deficit disordered agents, persnickety producers, anemic economies) what can you commandeer in your career and improve upon to better yourself? Nearly every week as you look at your business that is acting (you are the CEO of your company are you not?) you should be asking yourself; “What can I do better?” “What am I doing wrong?”

There’s nothing wrong with asking, “What am I doing wrong?” The answer returned may be, Nothing, I’m doing my best at the moment. Great! A week later though you may query the same question and while the mind was distracted with other matters the mass of gray cells may have developed a new answer to, “What am I doing wrong?” You could hear your inner voice coming back to tout, You’re doing a lot of things right but… have you tried this idea… ?

The answers to the questions we ask ourselves don’t always come to us when we would like them to. That’s why I suggest a routine of perpetually examining what can be improved upon. If Apple never did such for itself, actors, possibly you, palming a nifty iPhone while reading this, would have to eye the same on a cumbersome home PC with a television set-like monitor. (So last century.)

Asking yourself “What am I doing wrong?” is not a negative. It’s a positive step for expanding your abilities and skills. And if you’re terribly shy or discordant towards the ‘wrong’ ending phrase then why not ask yourself each week, “What am I doing or not doing that could be explored and improved upon?” If you don’t get an answer, don’t believe yourself a god in abstention or cognoscente challenged; your mind is just taking a breather to formulate a response. Go easy on yourself. Ask a week or two later and the synapses could shoot back, You’re doing fine, almost too comfortable, with getting the level of work you’ve had. Have you thought about shooting higher in your ambitions? Then the next question to yourself would be, “How do I achieve that?” “Where do I begin?”

The mind and spirit are then off to a positive journey because you asked a simple, self-evaluating query, “What am I doing wrong?” And that’s not such a negative thing.

Beignet anyone?

My Best,
Paul

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Paul Russell’s career as a casting director, director, acting teacher and former actor has spanned nearly thirty years. He has worked on projects for major film studios, television networks, and Broadway. Paul has taught the business of acting and audition technique at NYU and has spoken at universities including Yale, Temple and the University of the Arts. He writes a column for Back Stage and is the author of ACTING: Make It Your Business – How to Avoid Mistakes and Achieve Success as a Working Actor. For more information, please visit www.PaulRussell.net.

 

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